Overlord

If Overlord does something wrong, it makes us care before it rips someone’s collarbone up through their shirt. It’s less fun when it matters, right?

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Producer J.J. Abrams and director Julius Avery deliver a Nazi zombie movie that has nothing to do with Cloverfield

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‘Overlord’ Is A Fun, Sometimes Silly Mash-Up Of Classic War Film And Gonzo Grindhouse Flick

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In horror hybrid Overlord, the only thing worse than a living Nazi is an undead one

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American soldiers battle Nazi-created monsters in Julius Avery's action-horror pic.

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"Overlord" works best when Boyce—an inexperienced recruit who can't bring himself to hurt a mouse during basic training—discovers a whole mess of Nazi zombie super-soldiers as he investigates the above-mentioned radio tower situation.

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Nazis go to hell in a ghoulish house of horrors effects trip

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As the hours tick down to D-Day, four American soldiers are dropped behind enemy lines in France on a mission crucial to the success of the Normandy landings. But their objective is complicated when they stumble upon a monstrous Nazi experiment in a fortified church.

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J.J. Abrams-produced mash-up of men-on-a-mission adventures and monster movies feels like several throwbacks in one

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As seen in the film’s terrifying opening and its gruesome climax, Avery deftly orchestrates some grisly, intense set pieces. He delivers on the thrills, even if the story leaves something to be desired.

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This J.J. Abrams-produced WWII thriller is less about its not-so-surprising horror twist than the pure pleasure of punching Nazis.

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Remove the horror aspects, and Overlord is ham-fisted and oddly unimpressive.

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This bizarre and gruesome tale of an allied assault on a church in Nazi-occupied France leaves an unpleasant taste

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